对戏剧来说,观众是具有双重形态的美学实体。一方面,在戏剧创作过程中,观众作为现实生活中的人,他们是剧作家、舞台艺术家进行创作活动的审美对象;另一方面,在戏剧接受过程中,观众作为戏剧作品的欣赏者,他们又成了审美主体。如果我们把戏剧从创作活动开始到终端接受看成是一个完整的过程的话,那么,观众作为活生生的人,在这个过程中是以上述双重形态的特点出现于其中的。前者,他们是戏剧所要表现的对象主体;后者,他们是戏剧所要服 For the theater, the audience is a double aesthetic entity. On the one hand, in the process of drama creation, the audience, as real people, are aesthetic objects of the playwright and stage artist in their creative activities. On the other hand, the audience, as the appreciators of the dramatic works, Has become the main aesthetic. If we regard the drama as a complete process from the beginning of creative activity to the acceptance of the end, then the audience as a living person emerges in the process with the above dual features. The former, they are the subject of drama to be the subject of the show; the latter, they are theater to be served