以表现主义舞蹈的艺术魅力为核心,将我国音乐剧《王二的长征》作为参照,分析了表现主义舞蹈的特征、个性、精神主旨,以及在创作中如何存在于戏剧舞台之上。文章论述了表现主义舞蹈的理论源泉与艺术追求,并结合其在《王二的长征中》的实践表现来一一对应说明,力求形成理论与编创领域的对应论述。 Taking the artistic charisma of expressionist dance as the core, this paper analyzes the characteristics, personality and spirit of expressionist dance and how it exists on the stage of drama in the creation of Chinese musical “The Long March of Wang Er”. The article discusses the theoretical sources and artistic pursuits of expressionist dance, and makes a one-to-one correspondence with their practical performance in “The Long March of Wang Er”, aiming at forming the corresponding discourse in the field of theory and compilation.