“空间”若以物理学、生理学、心理学要素为原点去理解,则是时间与空间,理性与感性,物质与意识的高度统一。而中国画中的空间,却依附于画纸绢素上虚拟的艺术空间。中国传统绘画中画家用心所在正是无笔墨处。“无笔墨处”就是一幅画的整个构图中的“虚白”。下面我从三个方面对中国画的空白空间创造的意蕴,作一初步的探讨。 If “space” is understood from the elements of physics, physiology and psychology, it is time and space, reason and sensibility, and the unity of material and consciousness. However, the space in Chinese painting is attached to the virtual art space on the canvas of paper. The painter in traditional Chinese painting is precisely where there is no fountain pen. “No Ink” is the “imaginary” in the entire composition of a painting. From the following three aspects, I will make a tentative discussion on the connotation created in the blank space of Chinese painting.