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任讷先生在《散曲概论》中曾说,元代“曲家大抵为潦倒文人,即鲜知遇于当时,复少显扬于后世,作剧曲者然,作散曲者又何独不然。且散曲篇幅简短,更易于遗佚,而作者兴到弄笔,往往随作随歌,随歌随弃,不甚爱惜,盖初不欲藉此以沽名也。于是履贯既多模糊,姓字亦渐湮没,篇章零落,人物消沉,历览词场,莫此为甚”。这其中的意义,除了慨叹散曲作品流传下来的少,也惋惜曲家经历的模糊。名列元曲四大家之一的马致远,
In his introduction to Sanqu, Ren’e said that in the Yuan Dynasty, “the Qu’u’’s are generally despised literati, that is, those who know little about the situation at that time rarely show up in future generations, Sanqu short length, easier to save the lost, and the author excited to get involved, often with the song, with the song with nothing to cherish the beginning of do not want to take this to name also .Soguery both vague, surname Also oblivious, chapters, character depression, reviewing the word, not even this ”. This one of the significance, in addition to lamenting the Sanqu works handed down less, but also regrettable song Qu experience vague. Ma Zhiyuan, one of the four members of Yuanqu,