左翼电影运动的领导者之一夏衍在上个世纪30年代曾称:“电影的创作手段与其他艺术的创作手段的不同”,文学作品在流通之时方为商品,电影从业员“则是一个企业制度下的电影工厂的工人。所以当他选择题材和决定主题这一瞬间,他就受了商业主义的支配”。①1930年代的左翼电影不但 Xia Yan, one of the leaders of the left-wing film movement, once said in the 1930s: “The difference between the means of creating films and the means of creating other arts”; the literary works are commodities when they are in circulation; and the movie practitioners “is an enterprise System of film factory workers, so when he chose the theme and decide the theme of this moment, he was dominated by the commercial. ” ① 1930’s left-wing film not only