日本近代文学大家谷崎润一郎,被誉为日本唯美主义大师。其作品风格不拘一格,横跨明治、大正、昭和三个时代。从早期极端崇拜西洋、奉行恶魔主义到大正末期、进入昭和年代后逐渐为古日本所倾倒、献身古典,写下一系列溢满古典风情、讴歌古日本文化艺术之美的作品。本文通过迁居关西后阪神地区梅之谷和京都潺溪亭两处住宅的建筑风格、内装品味分析谷崎润一郎如何通过想像构筑现实、再通过现实再次发端想像进而创造了独属于作家的关西世界以及在这个过程体现的矛盾与挣扎,浅析谷崎润一郎的创作诉求并分析该诉求对作品风格转变对影响。 Japanese modern literary everyone Tanizaki Junichiro, known as Japan’s aesthetic master. His works are eclectic, spanning Meiji, Taisho and Showa periods. From the early extreme worship of the West, from devilism to the end of Taisho period, into the Showa era, gradually for the ancient Japan to dump, dedicate to classical, write a series of overflowing classical style, sang the works of ancient Japanese art and culture. This article analyzes the architectural style of two houses in Myitake Valley and Gokyo-ji Temple in Kobe, Gyeongsangbuk-do, and analyzes taste of Tanizaki in Imagination. After analyzing how Imagara Tanizaki built her imagination and then re-imagined it through reality, she created Kansai The world and the contradictions and struggles embodied in this process. It analyzes the creative appeal of Tanizaki Tanizaki and analyzes the impact of the appeal on the style change of his works.