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第二届当代工笔画展开幕的时候潘洁兹先生长舒一口气感慨道:“工笔画终于走出了低谷。”这一包涵着复杂情感的慨叹,既反映出老艺术家看到自己所专注的并为之努力了一生的事业,经过长期惨淡经营,终于发展到可以让人刮目相看的时候,发自心底的欢愉,同时也是对当代工笔画发展状况的清醒评价。工笔画作为一种画法、一个画种,长期被冷落之后,终于在与时代的新的契合点上找到了位置,找到了发展的可能,
At the opening of the 2nd Contemporary Fine Arts Exhibition, Mr. Poon’s, sighs with great sighs, “The fine brushwork finally came out of the trough.” This lamenting complex emotions reflects both the old artists’ For a long time hard work, after a long period of dismal management, finally developed to make people admiringly, heartfelt joy, but also is the contemporary evaluation of the development of fine strokes. As a painting method and a kind of painting, after being left out for a long time, the fine brushwork finally found its position in the new meeting point with the times and found the possibility of development.