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所谓的民间纯律就是指我国传统的音律,因此,我国的民族乐团不管是在旋律方面,还是在和声方面都应该很好,但是,由于我国乐器改革等原因,导致了一部分弹拨乐器变成了十二平均律,再加上人们在思想意识上就一直追逐西方的乐器和音乐,毫无保留的像西方学习,使得有些乐器在演奏过程中转变成为了五度相生律。所以,在进行合奏过程中,各个声部旋律音高也就参差不齐,和声也不能相互协调。笔者认为,通过我们进行某些民间传统曲目演奏,可以将微升fa和微降si进行启用,这样能够将我国民族乐团民间传统的纯律感进行恢复,促使民乐合奏过程中,音响达到协和。本文中,笔者就对民族乐团音律改革进行简要的分析。
The so-called folk pure law refers to the traditional temperament of our country. Therefore, our national orchestra should be very good both in melody and in harmony. However, due to the reform of musical instruments in our country, some of the plucked instruments have become The Twelve Average Laws, combined with the fact that people are chasing Western musical instruments and music in their ideology, are unreservedly studied in the West, leaving some musical instruments to become fifth-degree relatives during performance. Therefore, in the process of ensemble, each vocal melody pitch is also uneven, the harmony can not be coordinated. In my opinion, through some folk traditional repertoire performances, we can enable micro-fa and micro-drop si to restore the pure traditional sense of ritual in the folk orchestral groups of our country and promote harmony in the folk music ensemble. In this article, I make a brief analysis of the reform of the temperament of a folk orchestra.