在《丰乳肥臀》《生死疲劳》和《蛙》关于“文革”书写中,存在着“游行批斗”和“跑—追”游戏并置的现象。在这些“游行批斗”和“跑—追”游戏中,出现灾难性后果也是常态。欢乐“文革”、同构中的双向观照和“互文性”的歧途,是其背后的意蕴所在,我们从中也可以窥见童年的心理恐惧、成人的罪感体验和文学传统对莫言创作的影响。 In “Breastfeeding”, “Fatigue of life and death” and “Frog” writing about “Cultural Revolution”, there exists a phenomenon of “juxtaposition” and “running - chasing” games in parallel. In these “Parade” and “Run - Chase” games, catastrophic consequences are also commonplace. Happy “” Cultural Revolution “, the two-way view in the same structure and the” intertextuality "are the implication behind this. From this, we can also get a glimpse of childhood’s psychological fear, adult’s experience of sin and literary tradition Mo Yan creation of the impact.