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不可否认,在“非典”过后的两年半时间里,国内的艺术品市场达到了空前的发展,拍卖公司数量及场次急剧上升,在北京几乎达到每天一场的频率,拍品成交数量及成交金额迅猛上窜,连续两年翻番,藏家队伍也在迅速扩大,超过7000多万人,占全国人口的6％。但是在获得这些成绩的同时,也累积了很多矛盾,在艺术品市场发展趋缓的情况下,这些问题逐渐暴露出来。本文中,笔者通过对市场的观察并结合业内人士的见解,深入分析了所面临的软件、硬件方面的问题,并在文化普及、信用重建、人才培养、市场监督等方面提出了自己的深刻见解。
It is undeniable that in the two and a half years following the SARS, the domestic art market reached an unprecedented level. The number and the number of auction houses rose sharply. In Beijing, the frequency of daily performances, the number of transactions and the turnover of the lot Rapidly channeling and doubling for two consecutive years, the ranks of Tibetans are also rapidly expanding, with over 70 million people, or 6% of the national population. However, while these achievements have been obtained, many contradictions have accumulated. These problems have gradually been exposed in the slowdown of the art market. In this article, the author through the observation of the market combined with the views of industry insiders, in-depth analysis of the problems facing the software and hardware, and cultural popularization, credit reconstruction, personnel training, market supervision and put forward their own insights .