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李麟祥,字符灵,号凌壶观、宝山人,全州人。生于肃宗三十六年(1710年),卒于英祖卅六年(1760年)。李麟祥是朝鲜时代一位比较独特的画家。他在绘画风格的创新方面有很大的贡献,而这种贡献并没有被后世的韩国美术史学界给予充分的重视。对于韩国的绘画历史而言,图像资源的相对缺乏以及图像交流空间的相对封闭,使得韩国绘画风格的发展更多的呈现为一种承前继后的连续发展关系,几乎没有创造性的变革。但是,在这一进程中,李麟祥在绘画风格方面的创新则突破了以往的积习和范式,为后世的画家提供了新的风格样式的选择。在当代韩国美术史写作中,按照朝鲜时代的绘画风格样式的流传和演变过程,朝鲜王朝时
Li Linxiang, Character Spirit, Ling Ling concept, Baoshan, Quanzhou. Thirty-six years was born in Suzong (1710), died in the British ancestral six years (1760). Li Linxiang is a more unique painter of the Joseon Dynasty. He has made great contributions to the innovation of painting style, and his contribution has not been paid enough attention by later generations of Korean art historians. For the history of Korea’s painting, the relative lack of image resources and the relative isolation of the image exchange space make the development of Korean painting style appear more and more as a continuous and successive development relationship, with almost no creative changes. However, in this process, Li Linxiang’s innovations in painting style have broken through the previous study and paradigm and provided the later painters with a new style of style choice. In contemporary Korean art history writing, according to the spread and evolution of the Korean style of painting style, the Joseon Dynasty