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这篇长文是西方当代艺术理论的重要经典,经译者与原文作者联系,确认尚无中文译本面世,故在此向国内学界奉上拙译,为学术积累作一微薄贡献。原文在西方当代艺术理论界的重要性,首先是方法论的,作者从符号角度使图像解读与文本解读相互参照,从而将现代符号学转变为当代符号学;其次,本文的重要性还在于视觉文化研究与艺术史研究的统合;第三,这也是西方之伦勃朗研究的新近成果。本文作者米柯·鲍尔(Mieke Bal)于1946年生于荷兰,是当今享誉国际的视觉文化学者,其学术研究横跨艺术史、文学理论、犹太历史、圣经考古,人类学、精神分析、女性问题等领域,同时她也从事艺术创作和电影制作,而主要成就则在于图像符号和文学叙事的研究、米柯·鲍尔现为阿姆斯特丹大学文艺理论教授,她关于艺术史、视觉文化与文学研究的主要著作有《论米柯·鲍尔》(2008)、《米柯·鲍尔读本》(2006)、《人文学科里的概念之旅》(2002)、《深入观照:看的艺术》(2001)、《理论观点:文化分析的实践》(1994)、《米柯·鲍尔论释义》(1994)、《米柯·鲍尔论叙事》(1991)、《阅读伦勃朗:超越图像与文字的二元对立》(1991)、《叙事学导论》(1985)等。
This long essay is an important classic of western contemporary art theory. After the translator contacted the original author and confirmed that no Chinese translation was available, he offered a clumsy translation to the domestic academic circle to make a modest contribution to academic accumulation. The importance of the original text in the field of western contemporary art theory is first of all methodological. The author makes reference to the image interpretation and the text interpretation from the perspective of the symbol so as to turn the modern semiotics into the contemporary semiotics. Secondly, the importance of this article lies in the visual culture The integration of research and art history research; and thirdly, the recent achievements of the Rembrandt studies in the west. Born in the Netherlands in 1946, Mieke Bal is an internationally acclaimed visual culture scholar whose academic research spans art history, literary theory, Jewish history, biblical archeology, anthropology, psychoanalysis, women’s Problems and other areas, she also engaged in artistic creation and film production, but the main achievement lies in the study of the image symbols and literary narratives. Michelle Bauer is now a professor of literary theory at the University of Amsterdam, her art history, visual culture and literature His major publications include Micau Bauer (2008), Mickey Bauer Reader (2006), The Conceptual Tour in the Humanities (2002), In-Depth Look: The Art of Viewing 2001), Theoretical Perspectives: The Practice of Cultural Analysis (1994), Michel Bauer’s Theories on Interpretation (1994), Micco Bauer’s Narrative (1991), Rembrandt: Transcending Images And the text of the binary opposition “(1991),” Introduction to the narrative "(1985) and so on.