中国传统画论历来强调人品与画品的统一,王流秋自己亦相信“先要有高格调的人,才有高格调的画”。我与王流秋相识相交已久,他为人的格调是很高的,他的画我认为亦是格调很高的。王流秋的画可以分为三个时期。 第一个时期是新中国成立前后到1957年“反右”,这个时期中他积累了在革命队伍中的丰富的生活经验,画的大部分是革命题材。1947年所作《伤员看望医生》创作素描,朴素、单纯、深沉,此时已见手笔不凡,为新中国成立前的他的代表性作品。 Chinese traditional painting theory has always emphasized the unification of character and painting. Wang Liuqiu himself also believed that “there must be a high-profile person to have a high-style painting.” I have met with Wang Liuqiu for a long time. His style of being a human being is very high. His painting I think is also very high style. Wang Liuqiu’s paintings can be divided into three periods. The first period was “anti-rightist” before and after the founding of New China until 1957, during which time he accumulated a wealth of life experience in the revolutionary ranks. Most of his paintings are revolutionary themes. 1947, “Wounded Doctor Visit” creative sketches, simple, simple, deep, at this time has been extraordinary, as his representative works before the founding of New China.