与观众直接交流的即兴表演在演出方面,想方设法突破舞台台框的局限,缩短演员与观众间的距离,加强两者的交流,这种情况在观看苏联和民主德国的话剧演出时,感到相当普遍。剧中人从观众厅上场或下场等方法,我们在国内都曾见到过。列宁格勒青少年观众剧院演出的莎士比亚戏剧《错误的喜剧》,除了用上述交流方法外,还有些是很不一般的。这戏在演出过程中,一个斜躺在台口做敲门效果的演员,做完后转过头来,对第一排的观众说:“我的任务完成了。”起身走开,再去演他原来的角色。 Improvisation Directly Communicating with the Audience In performance, trying to break through the limitations of the stage, shortening the distance between the actress and the audience, and enhancing the exchange between the two were quite common when watching theatrical performances of the Soviet Union and the Democratic Republic of Germany . The dramatis personae has come in or out of the auditorium, and we have all seen it in China before. The “wrong comedy” of Shakespeare performed by the Leningrad Young Audience Theater is quite unusual except for the above communication method. During the performance, an actor reclining at the door knocking at the mouth of the stage turned around and said to the audience in the first row: “My task has been completed.” His original role.