阿列克谢耶维奇的作品以非虚构的写作手法,切入人物的心灵和情感,用倾听去挖掘一个个故事主人公内心深处的记忆和情感,尤其是选取女性和儿童为对象,是一种细腻的贴近人性的救赎,体现了厚重的人文关怀。但这种情感的泼墨并不失历史理性,作者立足于非虚构的创作手法,不仅为读者挖掘并呈现那些“边缘”人物,而且还将那些人物和情绪还原至当时的时空之中,并以细腻的笔触直抵人物的当下生活,体现了宽广的不偏不倚的历史理性思维。文章将由以上两个方面出发,对阿列克谢耶维奇的早期作品《我是女兵,也是女人》、《我还是想你,妈妈》进行解读。 Alexeiyevich’s works with non-fiction writing techniques, cut into the soul and emotions of people, with listening to dig a story of the heroine’s innermost feelings of memory and emotion, especially the selection of women and children as the object, is a Delicate close to human salvation, embodies the heavy humane care. However, this kind of emotional ink-splashing does not lose its historical rationality. Based on non-fictional creative techniques, the author not only explores and presents the “marginalized” characters to the readers, but also restores those characters and emotions to the space- And with the delicate strokes straight to the immediate life of people, reflects the broad and impartial historical rational thinking. The article will proceed from the above two aspects, to the interpretation of Alexeyevich’s early works “I am a female soldier, but also a woman,” “I still miss you, my mother.”