论文部分内容阅读
夏洛蒂·勃朗特的《简·爱》(1847年)和夏洛蒂·帕金丝·吉尔曼的短篇小说“黄色墙纸”(1899年)显示,英国维多利亚时期的医生和19世纪的医疗机构利用其日益增大的影响来审查、分类、消除女性身体的“病理”症候,其手段往往是惩罚性的,如体检、病人“自述”、以及性别化的几乎总是针对妇女的静养疗法。医疗行业的一种偏执演变成极力根除同性恋的或“畸变的”肉体表现,包括性病或非性病方面的疾病、同性社交/同性恋欲望——无论其表现多么微妙或隐秘。这两部文学作品传达出这样的信息:这种惩罚性的社会机制的行为和意识形态不仅将女性的“变态”或“畸变”转变成了一个话语主题,而且引导它积累为维多利亚时代男人和女人(如对抗者与主人公)之间性别化权力协商的一个对象。
Charlotte Bronte’s “Jane Eyre” (1847) and Charlotte Perkins Gilman’s Short Stories “Yellow Wallpaper ” (1899) show that Victorian doctors and 19 Centuries of medical institutions use their growing influence to examine, classify, and eliminate the “pathological” symptoms of women’s bodies, often through punitive measures such as physical exams, patient “petitions,” and almost gendered Always aimed at women’s retreat therapy. A paranoia in the medical industry has evolved to strongly eliminate homosexual or “distorted ” physical manifestations, including STDs or non-STDs, same-sex social / homosexual desires - no matter how subtle or subtle their performance. These two literary works convey the message that the behavior and ideology of such punitive social mechanisms have not only transformed the female “perversion” or “distortion” into a discourse theme but also led it to accumulate An object of the consultation on the gendered power between Victorian men and women (such as the antagonists and protagonists).