新中国成立初期,杂技艺术从室外、广场走进剧场,正式登上艺术舞台。改革开放以来,杂技艺术发展更是日新月异,逐渐由追求高难技巧上的突破转向创作理念和审美趋向的创新。上世纪80年代末,充满诗情画意的“意境杂技”悄然出现在杂技舞台,并一路探索、丰富、发展、演绎成为后来的杂技主题晚会。90年代以来,为适应观众和文化市场需求,一些大中型杂技团体以节目创新 In the early days after the founding of new China, acrobatics art entered the theater from the outside and the square and officially entered the stage of the arts. Since the reform and opening up, the development of acrobatics has been changing with each passing day. It has gradually shifted from pursuing the most difficult technical breakthroughs to creative ideas and innovations in aesthetic trends. The late 1980s, full of poetic “mood acrobatics ” quietly appeared in the acrobatic arena, and all the way to explore, enrich, develop and interpret later acrobatic theme party. Since the 90s, to meet the needs of the audience and cultural markets, some large and medium-sized acrobatic groups to program innovation