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童年经验对于汪曾祺来说产生了巨大影响,东西方文化交融使得他的美学追求浑融而自然。作为作家的自觉,汪曾祺的叙述方式和艺术表达都还原到了儿童状态,这种返璞归真使得他的文本随性自然而又韵雅灵秀。《羊舍一夕》作为“划右”下放后重新写作的第一篇小说,虽然文本符合主流意识形态,个人话语却隐秘地流动着,他的个人气质仍不为外物所掩盖。
His childhood experience has had a huge impact on Wang Zengqi. The blend of East and West cultures made his aesthetics pursuit muddy and natural. As a writer’s self-consciousness, Wang Zengqi’s narrative style and artistic expression are restored to the state of children. This return to nature makes his text natural and elegant. As the first novel devoted to “right-handed” and re-writing, “The Oyster House,” although the text conforms to the mainstream ideology, the personal discourse is still flowing in a secret manner. His personal qualities are still not covered up by foreign objects.