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类“犯罪—追凶”小说是近年长篇小说中兴起的一个重要类型。其犯罪,可能是法律意义上的,也可能是精神层面和道德层面的犯罪;而追问个人的心灵蜕变与荒诞历史的根源,拷问灵魂,才是其最重要的精神旨归。为加强思想深度,作家们每每会涉及到某些重要的人文理论命题,形成中国文本与西方理论的有趣对话。本文以艾伟《盛夏》与《南方》、乔叶《认罪书》和宁肯《三个三重奏》为解读对象,深度讨论了此类作品中纠结缠绕的“罪与罚”“忏悔与救赎”“时势与个人”的关系,亦对相关的“欲望迷乱”“平庸之恶”和“完美罪行”等理论命题在中国语境中应该作出的修正与调适作了一定的辨析思考。
Classes “Crime - chasing fierce ” novel is an important type in recent years in the rise of novels. Their crimes may be in the legal sense or may be spiritual and moral crimes. It is their most important spiritual purpose to trace the root causes of the individual’s spiritual transformation and absurd history and torture the soul. To enhance the depth of thought, writers often involve some important propositions of humanistic theory and form an interesting dialogue between Chinese texts and western theories. This article takes Ai Wei’s “Summer” and “South”, “Qiao Ye” pleading guilty and “three trios” rather than the “Three Trios” as the object of study, and deeply discusses the entangled “sin and penalty” “repentance and Redemption ”and“ Current Situations and Individuals ”, as well as the corrections that should be made in the context of China under the theoretical propositions of“ confusion ”,“ mediocrity ”and“ perfect crime ” And adjustment made a certain analysis of thinking.