布迪厄的场域理论认为,文学场内的斗争是为了争夺场的统治权,占据场中的最高位置,争夺话语权。上个世纪20年代,初入文坛的创造社为给自己在文坛争夺一席之地、争取场内话语权,因而采取了“区分”的“颠覆”策略,高举“为艺术而艺术”的大旗,为自己制造“异军突起”之势。 Bourdieu’s field theory holds that the struggle in the field of literature is to fight for the domination of the field, occupy the highest position in the field and compete for the right to speak. In the 1920s, the creative society that entered the literary arena contested for a place in the literary world and won the right to speak in the field. Therefore, it adopted the strategy of “subversion ”Banner, for their own manufacturing “ sudden emergence ”trend.