这件“山谷奇松图”是邱含历经半年时间创作的一幅山水瓷画作品,采用釉上粉彩绘制,整器设色雅致,虚实相间、动静结合、气韵生动。创作伊始,他就希望这件作品能在构思、陶瓷创作工艺性上有所突破,于是他在传统粉彩瓷装饰的基础上,运用粉彩胶水料与油料结合的手法,弱化了传统粉彩的粉润、柔和与厚重的特点,尽量从色彩的渐变与线条虚实上突出表现景物的质感,形成格调高雅,别具情趣的韵味。整幅作品以传统中国山水底蕴为基础,用墨、色、水三者巧妙结合,点翠皴青,将传统山水画法注入现代审美意识,气韵并举之间缔造出生动之美,在空间意识、丘壑图式与笔墨肌理上独辟蹊径。在构图上,他把巨石怪峰与奇松的线条相穿插,尽量使整个画面突显磅礴气势,再加上色彩多次烧成的柔和光感,画面整体效果不失清润之气。纵观整幅作品,广阔天地的“虚”与山涧景物的“实”相衬托,深谷的“静”与溪水的“动”相呼应,融诗意于画中,用画来表达置身世外、放游仙境的洒脱心境。 This piece of “Qizong Valley” is a landscape porcelain painting created by Qiu with a history of six months. It is painted in glaze and pastel. At the beginning of his creation, he hoped that this work could make a breakthrough in the concept and the craftsmanship of ceramic creation. On the basis of the traditional pastel porcelain decoration, he combined the pastel glue and oil to weaken the traditional pastel The powdery, soft and heavy features, as far as possible from the color gradient and the virtual reality highlights the texture of the scene, the formation of elegant style, unique charm of flavor. The whole work is based on the traditional Chinese landscape and uses the ingenious combination of ink, color and water to create a vivid beauty through traditional landscape painting. Gully graphics and ink texture unique. In the composition, he put boulders strange peaks and pine lines interspersed, try to make the whole picture highlights the magnificent momentum, coupled with the color fired several times, the soft light sense, the overall effect of the screen without losing the moisture. Throughout the whole work, the vastness of the world “virtual ” and the “real” of mountain scenery set off, the deep valley “quiet ” and stream "move Painted to express the world, travel fairyland of free and easy mood.