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阅读王鹏的工笔人物画,特别是表现青春少女的现代“仕女画”时,都有一种发自内心的触动和羡慕。有对青春的赞美,有对清纯的激赏,也有对一位画家聚精会神感受和领悟生活之美的创作状态的羡慕。特别是见多了当下以市井和恶俗的态度描绘女性的画作之后,更对王鹏现代“仕女画”中那份难得的清新雅致欣赏不已。中国古代人物画中有闺秀画一路,闺秀画中的女子年轻貌美,有知识,有修养,好像《红楼梦》中的十二金钗,集才情、青春和姣美与
When I read Wang’s meticulous portrait painting, especially the modern “ladies painting” that shows young girls, there is a touch and envy from my heart. There are compliments on youth, pure appreciation, and envy of a painter who concentrates on feeling and comprehending the creative state of life. In particular, after seeing more and more portrayals of women’s paintings in the current marketplace and vulgar manner, I even admire the precious fresh and elegant taste in Wang Peng’s Modern Beauty Paintings. In ancient Chinese portraits, there is a lady painting all the way. The woman in the lady painting is young and beautiful, and has knowledge and accomplishments. It seems that twelve twists and turns in the “Dream of the Red Chamber”