丁玲是以关注人的命运、女性的命运著称而走上文坛的,在丁玲看来:“最重要的就是要写出人来,就是要钻到人心里面去,你要不写出那个人的心理状态、不写出那个人灵魂里的东西,光有故事,我总觉得这个东西没有兴趣。”①因此,在《太》这部为政治服务的作品中,虽然她有纳入战时主流政治文化体制的理性自觉,但作为作家的文学意识,却是难以舍弃的。最终,在小 Ding Ling took a look at the fate of women and the fate of women and went on to the literary world. In Ding Ling’s opinion, “The most important thing is to write people, that is, to drill into people’s hearts. Do you want to write that person? The state of mind, not writing something in that person’s soul, and having a story, I always feel that this thing is not interested.”1 Therefore, in the works of “Tao,” which serves politics, although she was included in the wartime, The rational political consciousness of the mainstream political and cultural system, but as a writer’s literary consciousness, it is difficult to give up. Finally, in the small