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一、不仅是精神分析的电影理论;而是原电影理论的精神分析在本文中,我争辩说,20世纪的电影,是从一个整体的社会与其主体的组织中出现的。从一种系统的角度来看,电影是从人对于自身价值的热情需求中出现的;在肉体局限之外的和日常劳动时间之外是一个对于普通的价值利润提取的发明。它把资本的发展趋向推展到日常工作中,同时发展到工厂的生产线上,市场的衍生(商业广告),同时建设媒体的感受通道(形成正常化的感受通道),以及重新确定主观
First, not only psychoanalytic film theory; but psychoanalysis of the original film theory In this article, I argue that the 20th century film emerged from the organization of a whole society and its subject. From a systematic point of view, movies emerge from the passionate need of human beings for their own values; beyond physical limits and outside of routine working hours are an invention of ordinary value-profit extraction. It extends the development trend of capital into daily work while developing into the factory’s production line and derivative of the market (commercial advertising), and at the same time building a channel of media experience (forming a normalized channel of feeling) and redefining subjective