论文部分内容阅读
近些年来,我国的动画片色彩设计有了长足的进步,表现在创作者能够吸收和借鉴各种创作元素,比如电影中的色彩元素,国画中的色彩元素,民间皮影、剪纸中的色彩元素等,而且我国的动画创作者还能大胆学习国外先进的色彩设计经验,移植国外成熟的创作模本,来为我国的动画创作服务。但是,我国动画片色彩设计走向成熟与辉煌的路还很遥远,我们必须实实在在地去应对、解决一系列问题,调整与完善现有条件的内部结构,充分利用已有资源,并且在学习与反思中发现新的运作思维模式,从而开拓出一片更为广阔、自由的市场空间。
In recent years, great progress has been made in the design of cartoon color in our country, which shows that creators can absorb and learn from various creative elements, such as the color elements in the movie, the color elements in the traditional Chinese painting, the folk shadow, the color elements in the paper-cut Etc., and our country’s animation creators can also boldly learn advanced foreign experience in color design and transplant mature foreign creative models to serve our country’s animation creation. However, our cartoon color design is far from mature and glorious. We must deal with it in a down-to-earth manner, solve a series of problems, adjust and perfect the internal structure of the existing conditions, make full use of existing resources and learn from And reflect on the discovery of a new mode of thinking in order to open up a broader, free market space.