克孜尔石窟——中国最早的佛教造像三、克孜尔壁画的艺术风格作为中国最早的佛教造像遗存,克孜尔壁画深受古印度犍陀罗及后续的各类造像风格的影响,例如,面目丰满、形体高大健硕、袈裟薄如蝉翼等特点。同时,也不同程度地受到当时当地龟兹文化及西域其他艺术文化的影响。例如,面目五官的处理,虽有很强的程式化倾向,但与后来汉地其他地区出现的造像不同,呈现出典型西域人物的相貌特征,这与同时期的立体雕塑作品如出一辙,相互对照几无分别。可见,此时无论是平面画工,还是立体雕塑工匠们的审美情趣 Kizil Caves - China’s earliest Buddhist statues Third, the art style of Kizil murals As China’s earliest Buddhist statues remains, Kizil murals by the ancient Indian Gandhara and follow the various types of statues of the impact, for example , Plump, tall and strong physique, as thin as onion skin and so on. At the same time, it was affected to varying degrees by the local Quci culture and other Western art and culture. For example, facial features and facial features are highly stylized. However, unlike other statues that appeared in other parts of the Han Dynasty, the appearances of the typical Western people show exactly the same characteristics as the three-dimensional sculptures of the same period. No difference. Can be seen, this time both plane painter, or three-dimensional sculpture craftsmen’s aesthetic taste