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近年来,随着民族声乐艺术的进一步发展,一些具有浓郁戏曲风格的声乐作品被大家所关注,有些成为艺术院校民族声乐专业的必唱曲目。这些作品不仅推动了民族声乐演唱技法的更新,丰富了其表现力,同时也为民族声乐的教学带来了一定的挑战。本文将结合笔者多年来从事民族声乐演唱及教学的经验,从民族声乐的发声、吐字、行腔、用气、润腔、韵味及情感表现等几个方面,结合实例,阐述对戏曲风格的民族声乐作品教学上的一些认识和思考。
In recent years, along with the further development of national vocal music art, some vocal works with strong opera style are of great concern to everyone, and some of them become indispensable to national vocal music professionals in art schools. These works not only promote the updating of national vocal singing techniques, enrich their expressiveness, but also bring some challenges to the teaching of national vocal music. This article will combine the author’s experience of singing and teaching ethnic vocal music for many years. From the aspects of vocalism, articulation, linework, gas, moisturization, charm and emotional expression of folk vocal music, Some Cognitions and Reflections on the Teaching of Works.