中国古典舞的发展与中国传统戏曲有着密切的联系,而随着古典舞的不断发展,在芭蕾舞等西洋舞蹈文化的影响下,越来越多的舞蹈家开始了对古典舞的创新与补充,这一方面推动了中国古典舞基训的完善,另一方面也将身韵训练从基训中分离出来。身韵训练不仅从体态上对舞者的基本功提出了要求,更是从音乐韵律的角度对舞蹈者进行了训练。基于此,本文从中国古典舞基训与身韵训练的内容出发,对二者的关系,以及身韵训练在中国古典舞基训中的运用进行分析。 With the continuous development of classical dance, under the influence of the Western dance culture such as ballet, more and more dancers have started to innovate and supplement the classical dance. The development of Chinese classical dance is closely linked with the traditional Chinese opera. On the one hand, it has promoted the improvement of the basic training of Chinese classical dance, on the other hand, it also separated the training of body rhyme from the basic training. Body training not only put forward requirements to the basic skills of the dancers in body posture, but also trained the dancers from the perspective of music rhythm. Based on this, this article analyzes the relationship between the two and the application of body rhyme training in the training of Chinese classical dance.