清中叶以降,碑、帖两分逐渐成为学术界阐释中国书法史的主要方式。碑学的兴起与发展固然拓宽了书法的学习视野与创作路径,但必须清醒地认识到,书法毕竟是以汉字为对象世界的艺术形式。在实用主义的文化语境下,彰显“书写”性格的帖系书法却一直占据着传统书法的基础地位,主导着书法 In the middle of the Qing dynasty, monuments and monographs gradually became the main method of explaining the history of Chinese calligraphy in academia. The rise and development of the study of inscriptions broaden the horizons of learning and creation of calligraphy, but it must be soberly realized that calligraphy, after all, is an art form based on the Chinese characters. Under the cultural context of pragmatism, calligraphy, which shows the character of “writing”, has always occupied the basic position of traditional calligraphy and dominated the calligraphy