论文部分内容阅读
通常说来,银幕上的故事,如果不是艺术家想象的虚构,就一定是银幕下真实人生的演绎。如老酒样浓烈绵厚的《老炮儿》,我看了两遍。比起本年度那些“囵”啊、“恼”呀、“侠”等迷失电影方向,丧失艺术追求,屈膝于票房的没落烂片,可以说,《老炮儿》是一部足以激活当下国民的普遍低迷心态,既耐人寻味,又引人深度思考的影像作品;是一部对商业电影和艺术电影,均有深刻理解和独具个性的作品;也是一部对电影语言和电影类型熟稔于心,又不被“电影无禁区、艺术有门槛”束缚手脚的作品。笔者之所以给出这样的评语,因为它有着马丁·斯科塞斯和昆汀·瓦伦蒂
Generally speaking, the story on the screen, if not the imaginary artist’s imagination, must be the true life under the screen. Such as old wine thick thick “old gunner”, I read it twice. Compared with the “” “” The Department is enough to activate the current state of general public downturn, both intriguing and thought-provoking video works; is a commercial movie and art film, have a profound understanding and unique personality works; also a film language and Movie genres are familiar, but not “movies without a forbidden zone, art has a threshold” and “hands and feet” work. The author gives such a comment, because it has Martin Scorsese and Quentin Valenti