四、形象美 栩栩的形象,常常诞生于模糊,诞生于模糊的笔触或表述。这是一个不可思议而又实实在在的艺术现象及规律。齐白石笔下的虾,只只“跃然纸上”,徐悲鸿笔下的马,匹匹形如“赤兔”但是,近距离的端详,你会惊叹:国画大师的运笔如此“粗陋”,着墨如此“粗犷”寥寥几笔,神似压倒了形似;简单勾勒,远胜浓墨重彩。在模模糊糊之间,形象更加逼真,在朦朦胧胧之际,形象被赋予了鲜活的生命。 Fourth, the vivid image of the image, often born in the fuzzy, was born in the fuzzy brushwork or expression. This is an incredible and real art phenomenon and law. Qi Baishi's pen shrimp, only “vividly on the paper,” Xu Beihong's pen, horse-shaped, such as “red rabbit” However, the closer look, you will marvel: Chinese painting masters of the pen so “rude”, ink so “rough ”Very few strokes, like God overwhelmed the shape; simple outline, far better than color." Between the vague, the image more realistic, in the hazy time, the image was given a vivid life.