纵观积淀着整个中华民族伟大智慧的五千年光辉灿烂的文明史,“空白”作为文学艺术不可或缺的组成部分有其独特的地位和作用,它是文学艺术的肯綮和机窍,也是我们美学中最独特、最精华的部分。与西方的“空白”概念相比,我们的“空白”的含义则更加丰富。“空白”本身有一个无限广大的内涵,虚、空、无其实是“空白”这个范畴的显性表现形态,它作为古代士人执著的美学追求,贯穿在中国古典文学艺术的始终,在它的整个形成过程中一直伴随着很强的哲学思辨性。 Throughout the splendid history of civilization, which has accumulated 5,000 years of the great wisdom of the entire Chinese nation, “blank space ” has its unique status and role as an indispensable part of literature and art. It is also the most unique and essential part of our aesthetics. Compared with the Western “blank” concept, our “blank” is more meaningful. Blankness itself has an infinite expanse of meaning, emptiness and emptiness. It is actually the dominant manifestation of the category of “blank space”. As an aesthetic pursuit pursued by ancient scholars, it runs through Chinese classical literature and art It has always been accompanied by strong philosophical speculation throughout its formation.