The development of Chinese post-mod-ern drama in the 1990s displays the rebel-lious and innovative experimental attitude ofyoung Chinese playwrights. Its basic ten-dency in the first half of the decade was todeconstruct tradition and rebel against theclassics, while in the second half it movedtowards mass culture and left-wing politics. The development of Chinese post-mod-ern drama in the 1990s displays the rebel-lious and innovative experimental attitude of you Chinese Chinese broadcasts. Its basic ten-dency in the first half of the decade was to deconstruct tradition and rebel against the classical, while in the second half it movedtowards mass culture and left-wing politics.