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将“废墟”作为萦绕不去的母题使得法国艺术家西普瑞安·盖拉德的影像作品像是一个穿梭于经典脚本与当代文化之间的图像枢纽,它四通八达地牵引着多条跨越了不同历史范畴和美学传统的线索,在错综的轨道上接踵和融汇:西欧古典绘画里的“崇高”图式、MTV流行音乐、大地艺术中的美学观念、乌托邦的重建与毁灭,甚至于浪漫主义和暴力革命问的矛盾渊源……这些线索并不难分辨,耐人寻味的是它们在影片中彼此搭配和嵌入的方式。从早期的系列影片《虚
The use of “ruins” as a lingering motif makes the imagery of the French artist Cypriot Gaillard as an image hub that shuffles between classic script and contemporary culture and leads in many directions Clues of different historical categories and aesthetics traditions follow and converge on the intricacies of the tracks: the “lofty” schema in classical Western European paintings, the MTV popular music, the aesthetic ideas in the earth art, the reconstruction and destruction of utopia, Even the contradictory origins of romanticism and violent revolution ... These clues are not hard to tell, and intriguing are the ways they fit and embrace each other in the film. From the early series of videos "imaginary