樵夫的散文写作历史不长,但起点很高,几乎没有习作,一诞生就是精品了。这自然和他先前有大量的新闻采写和小说写作经验有很大关联,但最重要的是樵夫有深厚的理论功底。他的写作是自觉的,所以他的作品没有摸索中的跌跌撞撞,没有“硬伤”。对于什么是好的散文,不要说比作家,甚至比评论家他都理解得深刻。樵夫在他的散文集《倒不了的老屋》的自序中从语言、氛围和精神气质阐述了他对散文的理解,我 Woodman’s essay writing history is not long, but the starting point is high, almost no work, a birth is a boutique. This naturally has a lot to his previous experience in journalistic writing and novel writing, but most importantly, the woodcutter has a profound theoretical foundation. His writing is self-conscious, so his works are not stumbled in groping without “flawed”. For what a good essay, do not say more than writers, and even than critics he understands profoundly. The woodcutter expounded his understanding of essays in terms of language, atmosphere and spirit in the preface of his essay collection “The Old House Topple”