“文学接受”作为文学理论的一个基本概念,来源于西方接受美学。接受美学诞生于20世纪60年代末期的联邦德国,在传播与影响的过程中,其最大的理论贡献在于注意到读者在文学艺术这一活动系统中的重要地位,对接受过程进行了深入细致的剖析,由此真正实现文学艺术的功用和价值。本文无意于以王充来验证接受美学理论,亦非以接受美学来弘扬王充的文学思想。但综观王充《论衡》一书,可以发现,与其文学功用观 “Literary acceptance ” as a basic concept of literary theory, from western acceptance aesthetics. Accepting aesthetics was born in the late 1960s in the Federal Republic of Germany, in the process of dissemination and influence, its biggest theoretical contribution is to take note of the reader in the literary and artistic activities of the system’s important position, the acceptance process has been intensive Analysis, which truly realize the function and value of literature and art. This article is not intended to verify the acceptance of aesthetics by Wang Chong, nor is it to aesthetics to promote Wang Chong’s literary thinking. However, a comprehensive survey of Wang Chong’s “Lun Heng” book can be found, and its concept of literary utility