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说唱文学作为俗文学之一体,伴随着上世纪初俗文学研究的热潮而越来越受到学界的重视。《清代说唱文学创作研究》(齐鲁书社2015年1月版,以下简称《研究》)一书的出版,为清代说唱文学以及中国俗文学研究增添了新的成果。《研究》以清代说唱文学的文学文本为研究对象,从宏观着眼,从个案入手,取得了一些值得赞赏的成绩。一、宏观视域:研究定位的突破20世纪初出现了“俗文学”研究的热潮,清代的说唱
As one of the popular literature, rap literature has drawn more and more attention from scholars in the literary world at the beginning of last century. The publication of “Qing Dynasty Rap Literature Creation Research” (Qilu Publishing Company January 2015 edition, hereinafter referred to as “Research”) added new achievements to the study of Qing Dynasty rap literature and Chinese popular literature. “Research” takes literary texts of rap literature in Qing Dynasty as the research object. From a macro perspective, it starts with individual cases and has achieved some admirable achievements. First, the macro perspective: a breakthrough in research orientation The early 20th century appeared “vulgar literature” research boom, the Qing rap