在过去的几年里,在艺术与写作领域形成了一股完全抛弃反讽而追求真情实感的风潮。自90年代中期以来,“新真情主义”已成为了文艺界的热词。大卫·福斯特·华莱士的文章《电视与美国小说》点燃了这场文学运动,其中,他将反讽与被动状态之后的时代称为“新文学反叛者”。这些反叛者冒着被指责为“多愁善感、夸张其辞”以及陈词滥调的风险,“以尊重与信仰来对待平凡、老套和过时的美国生活中反映的人类问题及情感”~1,将 In the past few years, a wave of abandonment of irony and the search for true feelings has been formed in the field of art and writing. Since the mid-1990s, “new truths” have become hot words in literary and art circles. David Foster Wallace’s article “TV and American Fiction” lit the literary movement, in which he called the “ironic rebel” after the irony and the passive state. These rebels run the risk of being accused of being “sentimental, exaggerating” and clichés, “treating human issues and emotions reflected in ordinary, stereotyped and outdated American lives with respect and belief” ,will