一戏曲学,是以戏曲为研究对象的学科,理论上戏曲学与戏曲的产生一样悠久,但缘于戏曲源于民间的身份、地位,戏曲学远远滞后于戏曲实践和发展。民间的“口述”与即兴评点研究难以形成文字文献,即起即灭,无可记载与复原,而文人化、官方化的“记述”、批评应该与它对戏曲的接受、认可相一致。元代造就了杂剧作为“一代之文学”的勃起,一些文人、学者突破传统关注处于社会草根的 A theory of drama and drama is a subject that takes opera as its object of study. In theory, opera theory and opera have the same long history. However, due to the identity and status of the opera originated from the folk, opera studies lag behind the practice and development of opera. It is difficult for the folk “oral ” and improvisation studies to form literary texts, that is to say, there is no record and recovery, but literati and officialized “accountations” should be criticized for its acceptance and approval of the opera Consistent. Yuan Dynasty created the drama as the “generation of literature” erection, some scholars, scholars break the traditional concern in the grass-roots community