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5月5日,由《美术研究》编辑部主办,姜宝林艺术展示中心、世界浙商收藏家俱乐部、浙江齐越文化传媒承办的“小品寄情——邵大箴、姜宝林画展”在杭州举行。邵大箴先生是当今美术理论界的泰斗和领军人物,在美术史论研究方面有很大贡献。这次展出了他的32幅小品山水,笔墨自由,随心而画,画出了自己的真性情。漫画大师华君武先生2004年看了他的个展后题词“已入化境,妙极,看画如吞食,一点疙瘩也没有,舒服极了”。姜宝林先生这次展出作品主要分为三类:皴法新解、神游系列和大吉祥图册(大写意花卉)。皴法是山水画中很重要的一种笔法,是前人从古人创作图式中梳理并总结的规范、程式的符号。姜宝林先生把传统的皴法进行演绎,注入现代构成的思想,对披麻皴、大斧劈皴、豆瓣皴、乱柴皴、
May 5, sponsored by the Editorial Department of Art Research, Jiang Baolin Art Exhibition Center, World Zheshang Collector’s Club, Zhejiang Qiyue Cultural Media hosted the exhibition “Hanging in Love - Shao Dazhen, Jiang Baolin Art Exhibition” held in Hangzhou . Mr. Shao Dazhen is a leading figure and leader in today’s art field and has made great contributions to the study of the history of art. This time, he exhibited 32 picturesque landscapes of his own, with free brushwork and freehand brushwork, drawing his true nature. Comic master Hua Junwu saw his solo exhibition in 2004 after the inscription “has been transformed, wonderful, watching pictures such as devour, no pimples, very comfortable.” Mr. Jiang Baolin’s works on display are mainly divided into three categories: the new solution, the fugue series and the auspicious atlas (big freehand flower). Law is a very important style in landscape painting, which is the symbol of the norms and programs that the predecessors combed and summarized from the ancients’ creation patterns. Mr. Jiang Baolin interpretation of the traditional method of law, into the modern composition of the idea of plutonium, ax chop, watercress, chaos Chai,