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谈及中国传统样式与形态,是设计界乃至文化界的长期课题,中国元素已然成为了走向世界的必要利器。我们一方面在为中国价值能被认可而高兴,但同时,这些所谓“中国元素”应用的无序、滥用、单调现象又比比皆是,在审美价值越来越国际化的今天,这些中国元素的低级滥用,严重影响我们最精华、最核心的中国传统价值影响力传播。在设计文化中,现在不是简单的如何挖掘、发现传统文化,而是如何梳理、提炼传统文化的价值观和审美定位。我把这些传统形态和样式的核心理念定义为“气韵”之中国。
Talking about the traditional Chinese style and form is a long-term topic in the design community and even in the cultural circle. The Chinese element has become a necessary weapon to go to the world. On the one hand, while being happy about the value China can recognize, at the same time, the phenomena of disorder, abuse and monotony applied to these so-called “Chinese elements” are everywhere. Today, as these aesthetic values become increasingly international, The low-level abuse of Chinese elements has seriously affected the spread of our most valuable and core Chinese traditional value influence. In the design culture, it is not the simple way to discover and discover the traditional culture but how to sort out and refine the values and the aesthetic orientation of the traditional culture. I define the core concept of these traditional forms and styles as “China”.