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本文在“诗画本一律”的理论基础上,力图通过文献考索、文本解读与文物鉴赏三种不同研究手段和方法的结合,从文学艺术和绘画艺术的双向维度进行审视,对历代《赤壁图》和苏轼《赤壁》二赋之间作关联性研究。通过这样的尝试,既可以展现中国古典文学的美学特质和艺术影响力,为中国古典文学接受史的研究提供一个崭新的视阈;也可以充分体味中国绘画艺术深厚的文学渊源和文化内涵,以及中国传统画家丰富的文学素养、精神内蕴。
Based on the theory of “poems and calligraphies”, this paper attempts to examine the two-dimensional dimensions of literature and art and painting art through the combination of three different research methods and methods, including literature review, text interpretation and cultural relic appreciation. A Study on the Correlativity between “Red Cliff” and “Fu Chi” Fu. Through such attempts, it can not only show the aesthetic characteristics and artistic influence of Chinese classical literature, but also provide a brand new perspective for the study of the acceptance history of Chinese classical literature. It can also fully understand the profound literary origins and cultural connotations of Chinese painting art and Chinese traditional painters rich literary accomplishments, spiritual connotation.