关于新诗,人们基本的共识是:它没有成熟,还处于发展之中。就诗人而言,既然范式尚未确立,写作就有多种可能。从新诗的发生看,它最初是以和古典诗歌相对立的形式出现的。虽然后来也注意从旧诗中吸收营养,但在写作观念与语言习惯上,更偏向于西方诗歌传统。诗人不再受制于古代传统“禀经”“酌雅”的约束,而将目光专注于日常语言,藉此突出自我意识。更常见的情形则是,诗人在寻求建立新诗的统绪中,往往摇摆于格律与自由之间。 As for the new poem, people basically agree that: it is not mature and still under development. As far as the poet is concerned, there are many possibilities for writing since the paradigm has not yet been established. From the appearance of new poetry, it first appeared in the opposite of classical poetry. Although later also paid attention to absorb nutrition from the old poem, but in the writing concept and language habits, more inclined to Western poetry tradition. The poet is no longer subject to the constraints of the ancient tradition “intrinsic ” “discretion ”, and will focus on everyday language, thereby highlighting self-awareness. More often, the poet often sway between metricalness and freedom in his search for the establishment of new poetry.