一、背景: 高技派（或称重技派,high-tach）室内设计直接来自于高技派的建筑,其发生发展是基于工业及技术的进步。这种风格的室内设计及建筑设计也有称之为工业波普、工业巴洛克或新产品主义。 这一流派始于本世纪20年代,到70年代被广为接受。自六十年代以来,技术信息,材料及施工技术的发展拓展了人们的思维领域。对技术的强烈追求伴随着一种对未来的实用主义的信仰。建筑师们从中看到了施展身手的机会,抛弃了狭隘的思路,从建筑本身以外的领域中寻求灵感。创造了一种充满活力的、不断生长变化的、机器般表现技术的建筑。创作思想更多倾向于逻辑思维,考虑流程和运行、技术设施及结构。七十年代“高技派”的范围限于那些超越一般的结构方式,即附有大量机械设备、繁杂的管道及装置的建筑（特别是工业建筑）或是那些表现技术美的建筑。由于这一流派符合当今社会对技术的重视,在大众传播文化中满足人们追求精美和新奇的心理,并能以较为令人满意的方式解决科技进步带来的新出现的建筑的各 I. Background: High-tech (or high-tach) interior design comes directly from high-tech buildings. Its occurrence and development are based on industrial and technological advances. This style of interior design and architectural design is also known as Industrial Pop, Industrial Baroque or New Productism. This first-class faction began in the 1920s and was widely accepted in the 1970s. Since the 1960s, the development of technical information, materials, and construction technology has expanded people’s thinking. The intense pursuit of technology is accompanied by a belief in the future of pragmatism. The architects saw the opportunity to use their skills, abandoned narrow ideas, and sought inspiration from fields other than the building itself. Created a vibrant, constantly changing, machine-like representation of technology. Creative thinking is more inclined to logical thinking, considering processes and operations, technical facilities and structures. The scope of the “high-tech” in the 1970s was limited to those that transcended the general structural approach, that is, buildings with a lot of mechanical equipment, complicated pipes and installations (especially industrial buildings) or those showing technical beauty. Because this school conforms to the attention given by society today to technology, it meets people’s pursuit of exquisite and novel psychology in the mass communication culture, and can solve the problems of newly emerging buildings brought about by technological advancement in a more satisfactory manner.