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中国传统演剧艺术－戏曲，在市场经济条件下遇到了前所未有的生存危机。其突出的表现就是观众的流失和演出市场的萎缩。随着戏曲观演双方的互动，戏曲原有的功能价值体系也在发生变化。经济因素的介入使情况变得更加复杂。面对新兴的观众阶层和观众心理的多维变化，戏曲艺术和戏曲演出应适应当下观众审美心理的变化，适“度”地改变其演剧形式：在基本保持民族演剧艺术特征的前提下，应按照市场规律进行编、创、演的具体运作。民族传统演剧艺术产业化是摆脱“戏曲危机”的现实选择和根本出路。
Chinese traditional drama art - opera, encountered an unprecedented crisis of survival under the conditions of a market economy. Its outstanding performance is the loss of the audience and the shrinking performance market. With the interaction between the two sides of the drama show, the original functional value system of the opera is also changing. The involvement of economic factors has made the situation even more complicated. In the face of the multi-dimensional changes of the emerging audience class and audience psychology, the drama art and theatrical performance should adapt to the changes of the audience’s aesthetic psychology and change the form of their drama “moderately”: on the premise of maintaining the artistic features of the national drama, In accordance with the laws of the market should be compiled, create, perform the specific operation. The industrialization of national traditional drama art is a realistic choice and fundamental way out of “drama crisis”.