中国传统美学思想总是借助于山水田园生活,给人一种深邃厚重的人文气息。中国画家多以自然之美为对象,意在追逐山川物象的感受过程中满足对美的追求。如唐代文人逸士归隐山林追求的是一种胸怀、一份情趣,这是艺术修养,更是一种艺术文化气质的体悟过程。山水艺术中的文化精神不仅仅作用于中国古代美学范畴,更为当代社会文化与艺术的延续和拓展作出了明确的启示。明代大家董其昌所言:“大都是 Chinese traditional aesthetics always resorts to landscape pastoral life, giving a deep and heavy humane atmosphere. Chinese painters mostly use the beauty of nature as the object, and they are trying to pursue the pursuit of beauty in pursuit of the feeling of the mountains and rivers. As the Tang Dynasty literary anecdote reclusive forest pursuit is a kind of mind, a taste, this is the art accomplishment, but also a comprehension of art and cultural temperament process. The cultural spirit in landscape art not only acts on the category of ancient Chinese aesthetics, but also gives a clear revelation to the continuity and expansion of contemporary social culture and art. Dong Qichang Ming Dynasty everyone said: ”Mostly