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在20年代的中国社会,当沈从文以童年的目光去观照外在世界时,他发现了扭曲、丑恶的人性是都市生活理所当然的通行证;而当他以都市文化人的眼光去反观湘西童年生活时,他无可避免地发现了其中的荒蛮与凄凉.沈从文的主体人格在现实中惨遭否定.面对这种困境,沈从文在他的作品中营造了一座理想的“希腊小庙”,供奉起为其认可和珍惜的所有价值等级和他所有追求的精髓部分的“人性”.然而,沈从文毕竟背负着人生许许多多的悲剧体验,他无可避免地将这种悲剧体验通过他的作品传达出来.所以,完美的人性、理想的生命最终都被作家亲手葬送,作家无法挽救他的理想生命们,因为他根本无法自救.沈从文以一种朴素的语言、隽永的文风表现着自己对这个不尽完美的世界无可奈何的悲愤和绝望,表现着他所有关于人生和生命的悲剧体验.
In the Chinese society in the 1920s, when Shen Congwen looked at the external world with his childhood, he found that distorted and ugly human nature was a formal pass of urban life. When he looked back on the childhood in Xiangxi from the perspective of urban culture people , He inevitably found one of the barbaric and desolate.The main character of Shen Congwen was deny in reality.In the face of this predicament, Shen Congwen in his works to create an ideal “Greek temple”, served For all its recognition and value and the essence of all his pursuit of “human nature.” However, Shen Congwen, after all, carries a lot of tragedy in life experience, he will inevitably convey this tragedy through his works Therefore, the perfect human nature, the ideal life is finally ruined by writers, writers can not save his ideal life, because he simply can not save himself.Shen Congwen in a simple language, meaningful style of expression of their own not this Desperate indignation and hopelessness in the perfect world show all his tragedy about life and life.