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阿兰达蒂·洛伊《微物之神》自面世起便引起了广泛的关注,于1997年获得英国文学最高奖——布克奖,受到了国际主流媒体的赞誉。《微物之神》通过讲述阿慕家族的故事,反映了印度社会在前进过程中所面临的困难与存在的问题。本文试图对书中三个死亡人物:苏菲默尔、阿慕与维鲁沙进行探究来认识作者洛伊创作的悲剧意识。如果说三者是印度社会不同阶层的代表,那么他们的死亡则是印度的种姓制度、女性地位与殖民关系的代表。这些透过死亡所折射出的问题正是洛伊悲剧意识的表达,即对于男女关系、社会上下层关系以及殖民被殖民关系的探究。通过这一系列的探究所体现的是洛伊对于生死和悲中见困顿的思考。因此,《微物之神》不仅仅讲述的是微小之事,更多的是通过这些琐屑往事引起读者对于印度这个前进中国家的深刻思索。
Arandati Loei “The God of Ghosts” has attracted wide attention since its launch. In 1997, it won the highest award of British literature - the Booker Prize and was praised by the international mainstream media. The story of Amu’s family reflects the difficulties and problems existing in the Indian society during its progress. This article attempts to explore the three tragic characters in the book: Sufeimmer, Amu and Virussa to understand the tragedy consciousness of the writer Roy. If the three are representatives of different classes in Indian society, then their death is the representative of India’s caste system, women’s status and colonial relations. These problems, which are reflected through death, are precisely the expression of the tragedy consciousness of Roy, that is, the investigation of the relationship between men and women, the relationship between the upper and lower classes, and the colonial colonial relationship. Through this series of explorations, it reflects that Roy thinks about the difficulties in life and death. Therefore, the “god of things” is not only about the slightest thing, but more of these trivial events aroused readers’ profound thinking about India, a developing country.