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中国古代哲人虽然认为语言有很大局限性，却非常重视意象化的言语方式。他们以比喻、对反、反复为主要方式，打破名言、概念的片面规定性，把语言的混整性、不确定性都突现出来，使得在古代早期哲学著作中，诗、语言与思，哲学、文学与审美之间的界限消解了。而语言的诗化，不仅在于语言学上的修辞方式，而且根植于中国占代天人合一、阴阳对反、循环往复的共时态思维和空间化的“诗性时间”之中。空间化时间具有一个非线性发展的同时性结构，蕴含着一种诗性本源。
Although ancient Chinese philosophers think that language has great limitations, it attaches great importance to the imaginative way of speech. They use the analogy, the anti-repetition as the main way to break down the one-sidedness and the one-sidedness of the concepts and make the mixture of language and uncertainty come to the fore. As a result, in the early ancient philosophical works, poetry, language and thinking and philosophy The line between literature and aesthetics dissolves. The poeticization of language is not only based on linguistic rhetoric, but also rooted in the “poetic time” in which China occupies the unity of heaven and man, the yin and yang oppose, the cyclic and reciprocating synchronic thinking and spatialization. Spatialization has a non-linear development of simultaneous structure, contains a poetic origin.