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意象是中国古典美学中一个很重要的概念。它是主观情意与外在物象相互融合形成的意蕴与情致,正如南朝梁刘勰在《文心雕龙·神思》所谓:“积学以储宝,酌理以富才,研阅以穷照,驯致以怿(绎)辞;然后使之宰,寻声律而定墨;独具之匠,窥意象而运斤。”在中国文化中,月亮不仅是一种自然景物,同时又是意象的载体,月亮淡泊静谧空寂通脱的古典审美意象给予中国文化以深刻的启示,其中
Imagery is a very important concept in classical Chinese aesthetics. It is the subjective feelings and the external image of the integration of the formation of the meaning and affection, as the Southern Liang Liangtao in the “Literary Mind and Body Carving God thinking” so-called: “plot to treasure, discretion to enrich, study to poor photos , Tame to 怿 (Yi) speech; and then slaughtered, looking for sound law ink; unique craftsman, glimpse of image and junk. ”In Chinese culture, the moon is not only a natural scene, at the same time Is the carrier of imagery. The moon is indifferent to the classical aesthetic image of silence and quietness, giving the Chinese culture profound inspiration